The Documentation Box series brings together small-scale sculptures, drawings, and collages made from a variety of materials. Presented in the form of archival boxes, visual images and fragments of material experiments are categorized and systematically arranged. These works form part of the project Weaving Practice. Drawing and collage have always been integral to my artistic research methodology—they not only help visualize the process of inquiry but also assist in establishing connections between form and texture, exploring perceptual structures, and gradually constructing the material grammar of the works.

The contents of the boxes draw, to some extent, on the morphological characteristics of specific plant organs—such as the haustorium of Cuscuta, the pistils of flowers, and the trichomes on stems and leaves—while also referencing the microscopic forms revealed in plant microscopy images, as well as the diagrammatic segmentation and labeling conventions commonly found in botanical research papers. Within these pencil lines and subtle washes lies a systematic observation of microscopic entities, a classification and reorganization of forms, and a recording and reimagining of growth and process.

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《档案盒》系列作品，汇集了小型雕塑、绘画及多种材料的拼贴组合，通过档案盒的形式将视觉图像与材料实验片段，分类并整理呈现。这些作品是项目“Weaving Practice”的一部分。绘画与拼贴一直是我创作实践的组成部分，它们不仅帮助我实现调研过程的视觉化，也协助我在形式与质感之间建立联结、探索感知结构，并逐步构建起作品的材料语法。

盒子中的内容在一定程度上参照了特定植物器官的形态学特征——例如菟丝子的吸器、雌蕊、茎叶的绒毛等结构，并借鉴了植物显微镜图像中所呈现的微观形态，以及植物学论文中常用的图示分割与标注方式。这些铅笔的线条和晕染中，包含了对微观对象的系统性观察、对形态的分类与重组、对生长与过程的记录与想象。